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My only complaint here is that while the guidebook is quite big and seems like it would have a lot to offer, it’s honestly filled with a lot of white space. The interpretations are simple and honest, while still being warm. Kim’s guidebook feels very personal, like notes written by an old, dear friend! The card’s artwork features on one page, while the interpretation is written on the other. (I am someone with small hands, and I struggle to shuffle some of the larger sized cards or thicker decks because of this.) Wild Unknown Guidebook Because these cards are a medium size, I find them easy to shuffle. The cards are also not glossy, which I find helpful in shuffling. The thickness of the card stock is not supremely thick, nor is it thin (like the cards you get in a Llewellyn deck). The card quality on this deck is medium to high. To me, this feels both more nature-based and more modern than the traditional Rider-Waite. Instead of the traditional King, Queen, Knight, and Page of each suit (the court cards), Kim has chosen to use Father, Mother, Son, and Daughter. I have yet to see any tarot decks that come close to this very intricate and stunningly colored artwork.Īs you can see from the photos, the artwork is done in black pen and colored in a rainbow of colors. It’s clear that Kim was very much in tune with a higher realm when creating the artwork for this deck. Part of what makes this deck so popular is the artwork. |
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